英语影评格式是什么形式啊_英语影评的格式是什么

1.求《返老还童》英文影评

2.英语毕业论文--写一篇有关**评论的文章

《两小无猜》！绝对是的啦！

**从一处工地开始，工人在拆除一栋旧建筑，镜头在工地上方游荡，带领我们看到一个旧式糖果盒半凝在地基里。 一个小男孩的声音响起，他说他们那个时候，有一种小孩儿的游戏，叫做“敢不敢”，当一个孩子问另一个“敢不敢”的时候，后者必须说“敢”。 八十年前的法国街道，镜头飞一样后退，退进一辆校车的挡风玻璃后面，然后再退出校车，出现在车尾窗户外面，跟着切到黑乎乎的地方里的几本书，然后拉出来，原来刚才我们在书包里面，镜头再拉开，就看到一张小女孩的脸，跟着又一个急速后退，我们看到小女孩被一帮小孩围在中间。 小男孩于连在校车前遇到了小女孩苏菲，苏菲是刚移民过来的波兰人，被所有孩子欺负。于连说他喜欢苏菲，苏菲的回答是“那你证明给我看，敢不敢？”于连趁着司机不在车里，推上手闸，汽车冲下斜坡，司机在后面猛追。于连跟苏菲成了朋友，代价是被老爹暴打。 这两个小孩从此开始了没完没了的“敢不敢”的游戏，他们不相信任何规矩，世界就是个巨大的游乐场：上课组词，专门说脏话；用墨水喷老师；在校长室里小便；在她姐姐的婚礼上把新娘弄哭…… 尽管他们的游戏除了乐趣之外，也常常带来巨大的风险。两人却乐此不疲，这习惯直到长大了也没改，他们什么都敢，就是不敢承认他们相爱。 日子在没完没了的互相挑衅中过去，不知不觉已经是二十年后，他的婚礼上，她跑来问他敢不敢悔婚，婚礼毁了，两个人也闹翻了，这一次“敢不敢”的挑战内容是从此十年不见。 十年后她打电话给他，问他敢不敢出来私奔，他立刻甩下妻子和孩子去了。到了之后，居然又是一个“敢不敢”的游戏，她把家里搞得好像劫案现场，看他敢不敢在她报警后一分钟再走。 这一次玩儿过了…… 版本二 故事的时间和地点是八十年前的法国街道，小男孩于连遇到了小女孩苏菲，苏菲是刚移民过来的波兰人，被当地所有孩子欺负。于连说他喜欢苏菲，苏菲回答“那你证明给我看，敢不敢？”于连趁着司机不在车里，推上手闸让汽车冲下斜坡。就这样，他们俩儿个成了朋友，而这一次的代价是苏菲被老爹痛扁。 然而这“敢不敢”游戏从此开始就这他们之间没完没了的进行着。从学校开始，各种冒险的事情，大逆不道的事情这两人都做的出来，二十年的时间也没有玩腻。他们什么都做的出来，就是不敢承认他们相爱。 到底这是游戏，还是爱恋？两个人之间的感情用禁得起一次又一次失控的吗？

[编辑本段]〖精彩评论〗

From the visionary mind of director Yann Samuell comes France's hit comedy!

[编辑本段]〖幕后制作〗

影片的骨子里包藏着浪漫主题，但表现方式却是自我毁灭式的恶作剧。摄影是出彩点，镜头调度极有想像力，制造了一种似乎魔幻的效果。经典老歌《玫瑰人生》在片中起了画龙点睛的作用，不仅说明了时代的变迁，而且反衬出影片的主题。这是导演的处女作。

[编辑本段]〖精彩花絮〗

·影片是献给Yann Samuell（杨·塞谬尔）的岳父杰拉德和索尼娅。在创作剧本的时候，杰拉德和索尼娅把他们的房子借给杨·塞谬尔。**上映前不久，两个人在一场中不幸丧生。 ·于连和苏菲泡在水泥这段场景，拍摄过程中， 马里恩·戈迪亚和古约姆·卡内实际上是泡在苹果酱里面。

[编辑本段]〖精彩对白〗

Sophie Kowalski: Tell me that you love me first because I'm afraid that if I tell you first you'll think that I'm playing the game. 苏菲：你先告诉我你爱我，因为我会担心要是我先告诉你的话，你会认为我是在玩游戏。 -------------------------------------------------------------------------------- Julien Jeanvier: You know... there were lots of things I was game for that you never said. 于连：你知道...我玩过很多游戏，都是你从来没有说过的。 Sophie Kowalski: Like? 苏菲：比如？ Julien Jeanvier: Eating ants... insulting the unemployed... loving you like crazy. 于连：吃蚂蚁...侮辱失业者...像疯子一样爱你。 [they kiss] （他们亲吻） -------------------------------------------------------------------------------- Julien Jeanvier: Being an adult means to he a speedometer that marks 210 and not driving over 60. 于连：作为一个成年人，也就意味着有一辆里程计标为210行驶的时候却不超过60的汽车。 -------------------------------------------------------------------------------- Julien Jeanvier: [talking about Igor the gym ] And how big are his biceps again? 于连：（谈论健身教练）而且他的二头肌多大呀？ Sophie Kowalski: Bigger than your brain 苏菲：比你的大脑要大。 Julien Jeanvier: And you like this guy? 于连：那么你喜欢这家伙？ Sophie Kowalski: As a second choice 苏菲：作为第二选择。 [starts walking towards Igor] （向他走去） Julien Jeanvier: [shouting] Second choice... whos your first? Sophie... 于连：（大声喊）第二选择...谁是你的第一选择？苏菲...

[编辑本段]〖精彩剧照〗

[编辑本段]英国**两小无猜

更多外文片名： S.W.A.L.K.

导演：

Waris Hussein

编剧：

艾伦·帕克 Alan Parker ....(original story and screenplay)

主演：

马克·莱斯特 Mark Lester ....Daniel 崔西·海德 Tracy Hyde ....Melody 杰克·瓦尔德 Jack Wild ....Ornshaw

影片类型：

爱情 / 剧情

片长：

103 min

国家/地区：

英国

对白语言：

英语

色彩：

彩色

混音：

单声道

级别：

Finland:S / USA:G / UK:A

版权所有：

Copyright MCMLXX Catullus Productions Ltd

摄制格式：

35 mm

洗印格式：

35 mm

[编辑本段]上映/发行日期

国家/地区 上映/发行日期(细节) 美国 USA 11年3月28日......(New York City, New York) 英国 UK 11年4月21日 日本 Japan 11年6月26日......(Tokyo) 芬兰 Finland 12年3月17日 匈牙利 Hungary 12年9月7日 菲律宾 Philippines 1980年2月5日......(Dao)

[编辑本段]制作公司

Sagittarius Productions [美国] (as Hemdale Group) 发行公司：Astral Video [加拿大] (1985) (Canada) (VHS) British Lion Film Corporation [英国] (11) (UK) (theatrical) Levitt-Pickman [美国] (11) (USA) (theatrical) Nippon Herald Films [日本] (11) (Japan) (theatrical) Pony Canyon Enterprises (I) [日本] (2004) (Japan) (DVD) 其他公司：Lee Lighting Ltd. [英国] grip and lighting equipment Polydor soundtrack Trickfilm Studios [英国] titles

[编辑本段]简介

由艾伦·帕克编剧的本片，主要讲述两名早熟的小学生谈恋爱，由此引出不少趣事，是少年**中一部十分著名的代表作。导演华里斯·赫辛颇能以清新手法表现出自然成为青少年观众最喜爱的**那份不成熟的恋情，趣味性高，马克·莱斯特、特蕾西·海德、杰克·怀德三位童星亦十分讨人喜爱，“bee gees乐队'的插曲悦耳动听，成为口口相传的经典歌曲。英国伦敦某小学有一个男生名叫丹尼尔（Daniel，Mark Lester饰演），还有一个女生名叫美乐蒂（Melody，Tracy Hyde饰演）。丹尼尔和美乐蒂原本分别是两个快快乐乐、按时上下课的小学生。但某天丹尼尔无意中看到美乐蒂上舞蹈课，巧笑倩兮的模样，使得他小小心海儿起了波浪。 丹尼尔想尽办法要接近美乐蒂，起先遭到直接拒绝，但没多久美乐蒂也悄悄喜欢他了。二小感情渐入佳境，不但会约个会，甚至还翘课去游乐园、海水浴场玩，最后突发奇想，他们想结婚。 大人们没办法帮他们解决这个问题，也无法提供答案。两小决定私定终身，遂将全班同学带到隐密废墟举行自办婚礼并见证。学生要私奔，而且全班学生还集体翘课，这还得了？学校校长率领全体老师去废墟抓人。现场乱成一片，最后两小冲出包围，相偕推著铁道轻便车扬长而去。 精彩影评（转载） 《两小无猜》——不是那部法国**。原名为《Melody》，是片中女孩子的名字。 11年。真的是11年。几乎是父母青春期时候的**。 11年。11年一个漂亮的小伙子Daniel昵称Dany和一个美丽的小姑娘Melody恋爱了，并且结婚了。那年他们10岁，小学。 {镜头一} 硕大的草坪。混乱的操场。 男孩子追逐打架踢球。争吵完了再和好，和好之后又争吵。他们永远有女孩子们想不通的和解方式和争吵理由。 女孩子聚成一群一群的盘腿坐在草坪上。一个女孩子抿着嘴说，我一直以为接吻就会生孩子哪。所有人的脸不知道是因为激动还是害羞斗都通红了。 {镜头二} 形体室里女孩子们穿着紧身衣练舞蹈。男生趴在门上使劲儿往里面看。Dany就这个时候看到Melody——栗色头发，深蓝色丝带束着。 哝，就这么开始了。当时很有感觉啊（本人的想法，怪不得小男孩会喜欢上小女孩） {镜头三} Melody和Dany去墓地玩，小孩子总是喜欢张扬自己的胆量和与众不同。 两个人分享一个红透的苹果。 Melody说你如果喜欢我，就不要再透过别人传话，我不要做最后一个知道的人。 他们发现了一个墓碑，上面记录了一对爱人五十年的恋情。 Melody问五十年有多长啊？ Dany说除去期有150个学期那么长。 Melody问你会爱我那么久吗？我不信。 Dany说当然，我已经爱你一个星期了。 {镜头四} Dany在堆的沙丘旁边对Melody说我们结婚吧。 Melody说好，那就现在结，长大的懂的越多就会厌倦了。 沙丘海水一冲就没了，尽管垒了那么久。可Dany和Melody觉得他们该结婚了，他们觉得一点都不好笑。他们想在一起，他们当然要结婚。 {镜头五} 最后的婚礼在火车轨道边上破旧的房子里进行，全班同学参加。 他们都说愿意，他们结婚了。 校长和老师赶来却狼狈逃走了，车子被学生自己琢磨出来的炸飞了，Dany和Melody用简易的人力车私奔了。 故事结束了。 11年的两个10岁孩子的爱情故事。 〖歌曲〗 牛奶&咖啡 两小无猜

求《返老还童》英文影评

肖申克为好莱坞救赎

好莱坞是不是总是以商业目的来制造事物或艺术？若要创造一件真实自然的事物，一个导演就必须以一丝不苟的态度来接近事物本生，这归功于完美的过程。这样一件容易令人退缩的任务，要求绝对卓越的艺术家，他必须拥有无可置疑的管理能力和对于**艺术中每一个元素精确的敏感度，无论是在音乐、视觉、剧情和表演上。每一种元素都是同等重要的，不仅个体而言能够保证成功，而且整体上来看，也要求和谐并成为一个整体。之所以如此，是因为这些都决定着艺术家的作品的命运。虽然Frank Darabont已经在他的业界内以他在编剧和导演方面已非常有名，但是，肖申克救赎却仍是他的处女作。虽然他以身为编剧的主要负责人，但Darabont仍竭力创作了最为收到认可的个体解放的实例在好莱坞的历史上。肖申克救赎确立了它自己的风格，否定了突变，激励了情感，把一个有艺术性有影响力的新纪元重新带回了好莱坞。

故事于一个年轻的银行家的审判开始，Andy Dufrense，被所谓“充分的证据”指控，最终定罪为谋杀妻子和她的情人。在快速的审讯之后，Andy意识到他将在肖申克监狱服终身监禁，没有任何的释的机会，于是，他装表面上仍存在于监狱中，但他的心已经飞出监狱。他的能力是他获得身边囚犯朋友们的信任，尤其是Ellis Redding。Ellis，也就是说是Red,因能够给牢内的其他囚犯提供违禁物品而发现他本身的价值，而Andy的行为和无可置否的对希望的信念使得Red开始重新审视他自己，以及他身边周围的世界。Andy向Red和其他囚犯证明，肖申克监狱的大墙内是找不到他们这辈子自己的家的。

通过创作这部影片的基金会，一丝不苟而轮廓鲜明的剧本为这部影片的成功奠定了基础。Frank用他对肖申克救赎同名《丽塔海尔沃斯和肖申克的救赎》的非凡改编，战胜了自己。在这本中，史蒂芬金证实了他能够打破他原有的写作风格，而建立一种新的无与伦比的现代文学风格。虽然**在多方面都映射的本身，但Darabont更加入了一些事物本身客观存在的镜头，而中却一笔带过的，致使成为史上最为成功的翻拍成**的典范。

Shawshank redeems Hollywood

Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must roach it in a most meticulous manner, due to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.

The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in earance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.

By creating the film's firm foundation, the meticulously chiseled screenplay ped the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.

………………以及等等

英语毕业论文--写一篇有关**评论的文章

The comments of The Curious Case of Benjamin Button

Brad Pitt makes his mark as an actor here as Benjamin Button, a man with a strange disorder - physically aging backwards. Along his emotional journey of life he encounters friends, family, loved ones, adventures, and most of all, chances.Rarely has a film keeps the realism intact while still sustaining the magic of it. Truly, Did Fincher and Pitt he created a film that is leaps and bounds ahead of its time. Taking a strange and fascinating tale and making it into one of the decade's very best films is something of an accomplishment.

Pitt, here, is an actor, not just a pretty face anymore. With the state-of-the-art visual effects at his hand, he pretty much carries the whole show. It is perhaps the first time since Andy Serkis' rendition of Gollum in The Lord of the Rings, that great acting has eclipsed terrific special effects. You genuinely feel and sympathize for his character, rooting for him all the way. Pitt owns the film, in short. He and Did Fincher make a great team, and they look unstoppable to create more terrific films.For the supporting cast, Cate Blanchett plays the love interest of Daisy to great effect. Her tale with Benjamin's make them somewhat star-crossed lovers. I won't go that far into detail but you'll see much later into the film. Taraji P. Henson also shines as Benjamin's surrogate mother, who gives her son the support he needs. Not to mention Tilda Swinton as an early love interest.The screenplay by Eric Roth is excellent. Told from Benjamin's point of view with some highlights by Daisy, there are no clichéd dialogs to be heard, and the script is filled with equal moments of joy, ecstasy, sorrow, and understanding. Some dialog here is timeless and quotable, such as the film's tag-line; "We are defined by opportunities, even by the ones we miss." When you age backwards, you get more chances rather than missing it.

The Analysis of the Professional Leon(此文是这个杀手不太冷的影评) The Meaning of Life—Hope The Professional Leon which is directed by Luc Besson is an attractive and affecting movie. It is a story about a professional killer and a 14-year-old girl. In my opinion, this film reflects the influence of hope in people’s lives. Life is a magic thing. It is like a thick forest and when we walk through it, we need hope to lead us. Hope can change one’s mind. Hope can change one’s life.The first reason is the change between the settings from the beginning to the end. The film began with the oppressive cityscapes: roads, streets, alleys and then the screen turned dark. They are the characteristics of Film Noir. Besides, the protagonist Leon eared from a black shot which is a special close-up. In addition, the following shot are fighting in some rooms. The whole beginning leads to a mood of cold and oppression. However, at the end of the film is a scene of orphanage. The sunshine illuminated the trees and the grass. The scene is bright and warm. Then the shot got far and far. This showed that life was going on and the sunshine brought us hope to live. The world turned peace again, and the mood turned soft and cozy. Therefore, the change of the beginning and the end showed the dark had gone and everyone got their hope. In this film, there is a symbol of hope-Leon’s evergreen. It ran through the whole film. The protagonist Leon, at fist, was a typical killer who was skillful and cold. The evergreen for him is the hope of life. It meant Leon’s valuable memory-the girl he loved. Everyday he cleaned the lees of the evergreen carefully. He thought the evergreen was quiet and hy, so he took care of it as his most valuable thing. Actually, he lived in his memory and what he must protect is the hope-evergreen. For Leon, there was no meaning of the reality until he met the girl –Mathilda. When the girl implored Leon to open the door, he hesitated. Yes, of course. It was because everything would change since he opened the door. Actually, Leon was a simple, kind and attentive man who was not good at express himself. We can know that from watching old movie and ironing clothes. After accepting the girl, Leon chose the responsibility in his heart. His life changed because his hope changed. His living purpose was to protect the girl and revenge on Stan. Furthermore, his good-side was stimulated by the girl’s love. They were interdependent as a special relationship. I fact, Leon was not a killer any more since he met Mathilda. He was a real man. Another hope is reflected by Mathilda’s attitude of life. Mathilda’s family was inharmonious. She couldn’t feel love in this family, so she became unyielding and mature at an early age. She hated her relatives except her little brother. If she didn’t met Leon, her life would be out of imagination. When Leon opened the door, a light shone on Mathilda. This light of life is a symbol of change. Since she lived with Leon, she felt care from Leon, and she fell in love with him. She wanted to be with him forever. The hope of her life is Leon. She took care of their“home”and took care of him. When Leon ordered her go, she was in agony. She knew that she wouldn’t see him again. She was afraid that the hope of life would disear. At last, she planted the evergreen near the orphanage, and the evergreen became her hope. She got a new view of this world, and she would cherish the memory of Leon who sed her life and soul. This story is a fairy tale of killer. The killer managed to protect his hope as the expanse of his life, whereas he died in comfort. Maybe, there is another dark world concealed near us. However, it is because the shine of hope has not illuminated it. And the meaning of life is the process of seeking hope.