关于罗马假日的影评_关于罗马日的影评300字

1.韩版罗马日叫什么?

2.罗马日的英文影评要怎么写？

3.我想要<罗马日>详细的介绍

4.急需一篇罗马日的英文影评，要求不要太专业化，简单一点就行，谢谢大家。。

Roman Holiday is a classic romantic comedy. Princess Ann is a royal princess of an unspecified country. One night she visits Rome to do her official duties, but every minutes of her time is scheduled. Her doctor gives a sedative to help her sleep, but she secretly lees her country embassy and goes out alone to experience Rome. After she falls asleep on a public bench because of the injection, which is given by her doctor. Joe Bradley meet her by chance and he does not recognize her as a princess.

It was one of a charming comedy which is starring Audrey Hepburn. Her acting was so fun, this movie makes me hilarious. If you he never seen this movie, I strongly recommend this movie. Audery Hepburn was a royal princess in this movie, and also she was my princess in my heart。

韩版罗马日叫什么?

美妙年华的公主，短暂逃出皇室的藩篱，在街头喧闹的阳光下放肆真性情，贪婪地享受作为平民的自由，做一回真女孩。这就是尽人皆知的**《罗马日》。

奥黛丽-赫本在1993年就已经作古了，天使回到了天堂，从此人世上就再也没有了安妮公主那瞬间乍现的率真和天然。这个世上缺了一种元素。爱赫本的人，甚至认为这种元素就是活着的唯一依据。

我们是为爱而生的，如果爱得偏狭、爱得固执，爱得只识得一种情趣，那爱就变得艰难。正如活着就必须圆滑一样，爱，也要见风使舵、顺水推舟，否则要我们怎么活下去呢？赫本肯定是走了，在某片云朵上面，用蹙起的眉头看着我们把爱摆在唇齿间，看着我们一次次为了照顾其他东西把爱放在一边，看着我们把爱玩成了竞技，看着纸上的爱那么多、心灵的爱那么少，看着我们用钱币购买很多东西，包括爱。是啊，我们要活得象样，我们要HOUSE那样的房，要BMW那样的车，要Sophie Marceau那样的女人，甚至要马尔代夫海景房的清晨，要塞纳河边咖啡馆的黄昏，即使我们暂时还不能拥有游轮和小岛，我们靠以上这些武装起来时，就已经感到自己也可以去追求赫本了。

于是我们就出现在罗马的街头了，黑白的罗马，五十年代的罗马。我们口袋里的银子感觉可以买下罗马的半条街，我们目的明确：找到安妮，摆平她；我们狂妄至极。我们不会象**里的那个老跟人借钱的穷记者那样捉襟见肘，我们会把安妮直接领到斗兽场门口，脑袋一摆，问她要不要这处房子，我们还会把那位理发师包下来，把那场舞会也包下来，我们甚至会买通警察局长好好看护场子。跳舞的时候我们会毫不惭愧的说：安妮，我家里还有一老大，你不介意吧？没聊几句我们又大方的说：亚运村那边刚来一批新车，我看白色的广本挺适合你的。我们清楚地记得她的生日，并且打死也忘不了在2月14日向她献花，还会在圣诞节来临前预定好一间，我们最得意的事是她把我们的密码记在手机上，因为那是我们最乐意拿出来的东西。我们自认为最能打动她的一句话是：你看，我今天那份2000万的合同都没签，专门过来陪你的。

赫本的形象典型极了，俏皮的刘海，美妙的下巴，灵动的眼神，轻盈的小骨架，永远的平底鞋，紧束的腰身，飘逸的裙摆。在北电和中戏的校园里，不难见到这样的女孩。不难见到这样的女孩，优雅地钻进一部硕大的轿车，6缸的马达只一轰就已经从你五十年代的眼界里绝尘而去。

这个女孩，是去罗马了吗？

这是一个狂妄的年代，狂妄到靠卖路游器和芯片发家的人要运用商业智慧得到一个著名女人的芳心，狂妄到一个学舞蹈的女孩要运用肢体语言赢得二环边一处楼盘，而这一切，都是在爱情的名义下进行的。在爱情的名义下进行的交易跟在友情的名义下进行的生意没有任何的不同，不，可能有场地的不同：后者在桌上，前者一般在另一样家具上。

将爱变成为交易是滥情的结果，而滥情会使我们丧失爱的能力。伴随我们泡妞指数的增高，我们爱的通路就象被高血脂阻塞了的血管，硬化，脆弱。在面对如安妮般率真的目光时，我们的情感通路时常阻塞，而支配智力和情欲的神经却如拆除了收费站的五环路一般畅通，于是我们行动了，于是我们偏离了，于是我们再次增高了泡妞指数，于是我们患上了“情爱高血脂”。我们再也不会爱谁了，我们得到一件刀枪不入、水火难侵的“铁布衫”。拥有金刚之体的我们，在任何游戏中间，毫发难损。

想去罗马过一个日吗？我这里随时有一张机票。

赫本更象一位旧时的恋人。那时的我们还穿着灯心绒的猎装和水洗布的裤子，那时的我们还留着掩盖双耳的长发，那时我们喜欢甩一甩头，把落在额前的发绺摆向右边，喜欢没事把手插在裤袋里，喜欢遇见空瘪的易拉罐就一脚踢开。那时侯赫本离我们不远，可能在马路那边，可能在走廊那端，可能在同学家隔壁单元，可能在遇到红灯时跟你一同单脚着地的一个青年的身后。简单的衣着，干净的头脸，明媚的神情，可能没有束腰的长裙，没有精致的的平底鞋，但你能说那就不是赫本吗？在一个宿醉醒来的清晨，呆坐在床上的我们，痴望着楼下依然烛照的路灯，偶尔会有一个赫本象一枚柔软的手指在心头一扎，就再也难以睡去。你在吗？你在哪儿？我怎么会在这里呢？面对楼下这个正在预热、即将准时轰鸣起来的城市，我们恍若置身梦幻。梦幻中，我们格外渴求那种失去的元素，正如我们在宿醉后渴望喝水。

罗马日的英文影评要怎么写？

罗马日,就叫罗马日,韩国拍的。

罗马日是由韩国导演李德熙执导，任昌丁、孔炯轸、郑尚勋、姜信日、金正碧、徐恩雅、张光、韩素英、朴熙真等演员共同演绎的一部**。

该片讲述了三个蠢贼为改变人生一起抢劫现金运输车后躲进名为“罗马日”的夜总会后发生的故事。

罗马日的解说和题材

罗马日是爱情题材**的代表作品，虽然时光过了几十年，虽然影片画面是黑白，虽然赫本派克已仙逝，虽然、直到今天，这部**都是人们喜爱和向往的范本。

罗马日韩国版解说影评该片讲述了三个蠢贼为改变人生而一同抢劫现金运输车后躲进名为“罗马日”的夜总会而发生的故事，劫匪大鱼大肉供着人质吃喝，警察来营救，人质却不舍得走。

我想要<罗马日>详细的介绍

Spalding Gray writes of a "perfect moment" which one strives to he on a holiday -- a moment in time where there's not a stitch out of place, and you can go home knowing the holiday has been worthwhile. For me, much of Roman Holiday is one sustained perfect moment.

In fact, it's hard to believe the entire film takes place over little more than 24 hours. During this short day, Princess Ann rebels from her old life, falls in love and grows up enough to accept her destiny. And she even has time to stop for a haircut and an ice cream en route. Audrey Hepburn's transformation from a VERY young looking girl (honest, she looks 14 when she gets ready to go to bed near the start of the film) to a desirable woman is truly remarkable. No wonder Gregory Peck's character (and, arguably, Gregory Peck himself) fell in love with her. He wasn't alone. The film is nearly 50 years old, and it still holds that same power.

In her first major film outing, Hepburn displays fine comic timing, and a sense of bizarre humor. Check out the sule scene where Ann accepts what she claims is her first cigarette ... and then smokes it like an expert! Considering the temperature eraged around 100 F during filming, she also seems to enjoy her ice cream cone a little TOO much.

For me the perfect moment of perfect moments is when Audrey (NOT Princess Ann) reacts with sudden fright when Gregory Peck ears to get his hand bitten off in the Mouth of Truth -- only to break into laughter when Peck pops his hand out of his "empty" sleeve with a perfectly timed, "Hello!" Apparently, this was a practical joke Peck and Wyler played on Audrey. For a few seconds, the real Audrey Hepburn is on screen for the world to see. It's a moment to cherish.

Peck is his usual solid self -- and as a reporter myself, I can identify with the pressure Joe puts himself under to protect his big scoop. I should be so lucky as to find myself on the receiving end of a princess's affections. It's hard to believe that the Eddie Albert who plays Peck's bearded (and skillful) photographer is the same guy who went on to do "Green Acres." He's excellent here, and I'd give my eye teeth to he a cool lighter camera like his.

It's sad the film was never made in color, but the black and white gives it such a classy feel, you don't miss it. And if you don't know the ending -- don't let anyone spoil it for you. Just he the hankies ready.

This is one of the best films of the 1950s -- a relic of a carefree era long past and the precious debut of an actress who is still mourned years after her loss. .

急需一篇罗马日的英文影评，要求不要太专业化，简单一点就行，谢谢大家。。

罗马日 （又名: 罗马期,金枝玉叶,,RomanHoliday ）

这部浪漫的爱情喜剧影片堪称经典之中的经典，多少年来屡映不衰，一代又一代的影迷为之倾倒。同时，这也是一部无法言说的迷人影片，语言在它面前失去了颜色。

影片最成功之处，就在于它塑造了一个美丽而不圆满的爱情，就像几十年后的《泰坦尼克》一样。爱情的魅力就在于它的转瞬即逝和无可奈何。影片在成功的营造了一个喜剧氛围之后，又转回头来成就了一个悲剧结尾（当然，这也是别无选择的），两者结合竟然如此成功，难怪会成为绝世经典。纯粹的喜剧和单调的悲剧都无法脱离自身的局限而上升一个档次，这种笑过之后眼角带着泪花的影片才能抓住观众的心。

剧本、导演的功力高深，两位主演演技的高超，二者相得益彰。威廉·惠勒一直有“导演之中的导演、巨匠之中的巨匠”之称，影片在他手中，既高雅又迷人，既浪漫又伤感，处处闪烁着智慧的亮点。派克与赫本街头相遇一场戏，并非有多少夸张的动作或者调笑的语言，单靠剧情的张力和表演就足以让观众在愉悦之后深深记住这个经典的时刻。这种有分寸，有品位的细节安排和表演在后面则更加凸显：赫本随派克回家上楼梯一段，两人各怀心机对话一段，两人漫游罗马街头等等等等，甚至在影片最高潮时的一场打斗闹剧都没有降低对细节和表演的品位要求。两人?B style='color:black;background-color:#ff9999'>的谏钌?B style='color:black;background-color:#ff9999'>的一吻仿佛使时间凝滞；公主回到使馆后一袭黑色衣裙的背影；记者会上两人无言的对视；影片最后一个镜头跟拍派克走出大厅的长镜头，都深深留在观众的记忆中。

派克和赫本对影片表演的贡献是有目共睹的，派克饰演的美国记者乔·布莱德情感和心理的变化，很有层次地展现在影片中，表演细腻而不繁琐；而赫本的安妮公主在一场少女情事过后，逐渐由小女孩转变为成熟的继承人，这一过程也演得丝丝入扣，从容不迫，自始至终把握住了公主的王家风范。

此外，影片的几个意大利配角人物都很出色的，送派克和赫本的出租车司机喋喋不休自己的家庭困难，派克的房东煞有介事的拿杆破枪在房门外站岗——分明是个意大利老游击队员，为赫本剪头的理发师一副意大利情种样等等，诸多配角演员的成功表演，也是影片成功的重要一部分。

世上的爱情大多是不圆满的，人世间的悲剧莫过于此。在影片中这对男女来说，真正遗憾担又真正欣慰的是，两个人都没有说出“我爱你”这三个字（就像《大话西游》中悟空对紫霞一样），只有深深一吻。但两个人心领神会的无限爱意和无奈又岂是语言所能表达的，这正是影片之所以成为经典的关键。

Roman Holiday is a classic romantic comedy. Princess Ann is a royal princess of an unspecified country. One night she visits Rome to do her official duties, but every minutes of her time is scheduled. Her doctor gives a sedative to help her sleep, but she secretly lees her country embassy and goes out alone to experience Rome. After she falls asleep on a public bench because of the injection, which is given by her doctor. Joe Bradley meet her by chance and he does not recognize her as a princess.

It was one of a charming comedy which is starring Audrey Hepburn. Her acting was so fun, this movie makes me hilarious. If you he never seen this movie, I strongly recommend this movie. Audery Hepburn was a royal princess in this movie, and also she was my princess in my heart.