用英文写一篇影评_用英文写一篇影评作文

1.急求一篇哈利波特任意一部的英文影评 100词左右 谢谢

2.求一篇外国**《外星人et》 的英文影评

3.求一篇英文影评,50词左右,用词简单一些

4.海上钢琴师英文影评

5.求英文**影评，150个词

6.肖申克的救赎影评英文100字左右

7.英文影评

歌舞青春 It was just sooooo great! So much fun, t oo!! It's like every high school musical t heater junkie's dream. Everyone was ju st excellent and the directing was super b. And I love the message this movie se nds to young minds, that you explore ot her facets of expression other than the one that's socially acceptable. And I lov e the little undertones and suleties th roughout the film. And I love how all th e tough mean hard guys are CLEARLY d ancers in real life. I was muy impressed !! Everything and everyone was perfect. From the clothes, casting, choreograph y, sets.... it all looks like a dream. And in beautiful clear New Mexico. Who could want anything more!

急求一篇哈利波特任意一部的英文影评 100词左右 谢谢

After watching the movie, I think the actor was a little crazier than actress, she didn't like the him that was pretty normal, because of the actor was a dreamer. He never went for his dream, just kept dreaming at home, he needed to achieve it, but never do it. I disointed on him, and pitied on the actress‘s encounter.

看完这部**之后，我认为男演员比女演员疯狂一点，她不喜欢他那是很正常的，因为男演员是一个梦想家。他从来没有去追求自己的梦想，只是在家一直梦想，他需要去实现它，但从来没有去做。我对他感到失望，和同情女演员的 遭遇。

求一篇外国**《外星人et》 的英文影评

范文："Love can overcome everything". This is the theme of the Harry Potter series. For love, the author first focuses on rendering maternal love, which is shocking and tearful.?

It is precisely because of the power of this maternal love that Harry Potter was able to "survive a great disaster" and found his way back to life in his later growth.

“爱可以战胜一切”。这是哈利·波特系列的主题。对于爱，作者首先着重渲染的是母爱，并且渲染得震撼人心，催人泪下。也正是因为这份母爱的力量,哈利·波特才得以‘大难不死’,在以后的成长中屡屡绝处逢生。

求一篇英文影评,50词左右,用词简单一些

《外星人et》 的英文影评：

What is love, love is through all the obstacles, let a person get hiness and joy of good channel。

什么是爱，爱是穿越一切障碍，让一个人得到幸福和快乐的好渠道。

I sit at my window, heart can't be calm once, the story finished debunked, but also ripples in mind。

我坐在窗前，心不能平静一次，故事结束了揭穿，但心里也泛起涟漪。

This is a science fiction films, elliot is an illusion, the little boy often fantasize that fantasy he aliens exist。

这是科幻**，艾略特是幻觉，小男孩经常幻想有外星人存在。

ET, who was one of the earth was kind of aliens, but full of love, he found little elliot sed。

Et 是地球上的一个外星人，但是充满了爱，他发现小 elliot 得救了。

ET, everyday, friendship and love to take care of him to their hearts of bridge tightly together。

每天，友情和爱情把他照顾得和他心中的桥紧紧地连在一起。

although language cannot communicate very well, but their feelings beyond all together, Although earance has so big difference。

虽然语言不能很好地交流，但是他们的感情超越了一切，虽然外表有那么大的差异。

but he a docile and purity of heart, between them has established a wonderful telepathy, they became best friends。

但是有一颗善良纯洁的心，他们之间建立了一种奇妙的心灵感应，他们成为了最好的朋友。

He remembered the boy and ET live together in good time, they were so hy and hy。

他想起了那个男孩和他一起生活的美好时光，他们是那么的快乐和幸福。

What makes them together, become good friends?

是什么让他们在一起，成为好朋友？

I think this is the power of love, elliot with that kind of love, care the helpless ET, concerned with ET understanding。

我认为这就是爱的力量，艾略特带着那种爱，关心无助的人，关心理解的人。

海上钢琴师英文影评

蓝精灵

One day ,I went to the cinema with my best friend to saw the movie 'The Smurfs'.

I love 'The Smurfs' because of its special set and sound effects.The Smurfs are lovely and the songs are nice and very popular.

There was a twist in the plot,too.And we were all on the edge of our seat.Gargamel was catching the smurfs,it scared us out of our wits.But when the smurfs overcome Gargamel,the audience was very hy and so they landed.

I think this movie will be successful and acclained by the critics unanimous.A must-see comedy including friend,family and fantasty!You won't regret seeing it!

求英文**影评，150个词

英文影评

He's a man so bre, that he can play the imaginary piano when exploded with the ship he was born, lived and died in. Yet he's a man so scared, that he cannot face the infinite city life we are living everyday. He's a man so intelligent, that he can play the piano as if he has four arms (or I'd rather say, he has God's arms). Yet he's a man so stupid, that he chose to gone with the wind while he's other choice could be marrying a beautiful woman and hing a child. He's a man so perceptive, that he could use his music language to describe exactly others' feelings. Yet he's a man so insensitive that he'd rather disear after a gentle kiss on his beloved while she's asleep than unburden himself and tell her "ILU".

But one thing is for sure: this man is a real artist--pianist. Only a man like him can dance with the piano in a terrifying storm. Only a man like him can give up the first two bouts of a duel, and beat the compe entirely, convincingly, potently in the last bout. Only a man like him... can he such a beautiful story to tell...

This man is Danny Boodmann T.D. Lemon Nine Hundred, who is also known as simply "1900". A man never existed. He has never set foot on land in his entire life. No ID. No passport. No Visa. No parents. No birthday. Nothing in the world belongs to him except his music.

So he played. For the first class guests. For the third class members. For the girl at the window. For the darkness of the night. For the heartbeat of his own. For the sea-- his eternal home.

He had once wanted to get off the ship. To meet his girl and to hear the voice of the sea, as he always wanted to. He hugged friends goodbye and wed and went down. But his pace became slower and slower, and finally stopped. As he described at the end of the movie:

"Nine Hundred: All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. Christ! Did, did you see the streets? Just the streets?There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your hiness, but on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off."

He didn't get off. That's what he said and he did. As I mentioned above, he died with the ship, in the explosion. I believe at this point of the movie, no body can hold their tears back.

By the way, this movie is Directed by Giuseppe Tornatore, who is also the director of Nuovo cinema Paradiso and Malèna. Some people say the legend of 1900 is the director's compromise to Hollywood-style-commercial movie. Well, I know nothing about this kind... It's a excellent movie. Much I could say.

肖申克的救赎影评英文100字左右

Where is the awe? Where is the sense that if dinosaurs really walked the earth, a film about them would be more than a monster movie? Where are the ooohs and ahhhs? ``The Lost World: Jurassic Park'' demonstrates even more clearly than ``Jurassic Park'' (1993) that the underlying material is so promising, it deserves a story not written on autopilot. Steven Spielberg, a gifted filmmaker, should he reimagined the material, should he seen it through the eyes of someone looking at dinosaurs, rather than through the eyes of someone looking at a box-office sequel.

The movie is well done from a technical viewpoint, yes. The dinosaurs look amazingly real, and we see them plunge into the midst of 360-degree action; a man on a motorcycle even rides between the legs of a running beast. It can be said that the creatures in this film transcend any visible signs of special effects and seem to walk the earth. But the same realism isn't brought to the human characters, who are bound by plot conventions and action formulas, and scripted to do stupid things so that they can be chased and sometimes eaten by the dinosaurs.

英文影评

写作思路：先写肖申科坐牢的原因，再写肖申科在监狱渴望自由，然后告诉我们人不能缺少希望。

was wrongfully convicted in court， Xiao Shenke prison． Andy every hour and moment not longing for freedom and hope， faith that he spent 29 years of time． When he escaped， hope and freedom of the distillation． ＂ I guess it comes down to a simple choice： get busy living or get busy dying．＂ this is Andy impresses me saying，＂ Hope is a good thing， maybe the best of things， and no good thing ever dies．＂ it tells us that important．

《肖申克的救赎》在影片中，杜弗雷在法庭上被冤枉定罪，肖申科坐牢。安迪每时每刻都不渴望自由和希望，坚信自己花了29年的时间。当他逃跑时，希望和自由得到升华。”我想这可以归结为一个简单的选择：要么忙着活，要么忙着死。”这是安迪给我留下的印象：“希望是件好事，也许是最好的东西，好东西永远不会死。”它告诉我们这一点很重要。

扩展资料

《肖申克的救赎》不是真实故事，是虚构作品。

《肖申克的救赎》的主题围绕著“希望”两个字，然而在阐述光明面的同时，却藉由监狱的黑暗面及囚犯对于新生的渴望，来衬托这个充满正面意义的主题。

故事背景是20个世纪30年代。故事中，年轻的银行家安迪因为妻子和她的情人被杀而被判无期徒刑，由于监狱的腐败，他在真相即将大白的情况下仍然得不到昭雪，反而在肖申克监狱饱受了各种精神上和肉体上的摧残。

然而，安迪并没有被多舛的命运毁掉，他经过20多年水滴石穿般地不懈挖掘，终于在一个雷雨交加的夜晚，从500码长的污粪管道中爬出，重获自由，在墨西哥海边过上了自由人的生活。

《成长教育》

The young Carey Mulligan is sprightly and charming and does look a bit like Audrey Hepburn in this period drama about a bright, pretty 16-year-old suburban London schoolgirl who with a show of reserve gives in to the seduction, cultural and ual, of Did Goldman (Peter Sarsgaard), a thirty-something man of dubious intent and questionable livelihood. He's a smiling gangster, really, though the storytelling shows some skill in revealing the ugliness only in little gradual bits until bam! Comes the big shocker. Not that, by then, it's much of a surprise.

Did rescues Jenny (Ms. Mulligan) and her cello from a hey downpour -- already his sleek purple Bristol car is a strong hint of his sule mixture of poshness and sleaze -- and before she can say "I'm a virgin" he's taking her to classical concerts, auctions of Burne-Jones paintings, and jazz clubs with free-flowing champagne. With them are Did's cohort and "business partner" Danny (Dominic Cooper) and Danny's dumb blonde girlfriend Fanny (Rosamund Pike). Danny's sleeker and more handsome than Did and where he lives is packed with handsome artworks. We don't see where Did lives, and when we do, we find out why.

Helen, who's never read a book, let alone Camus, exists to set off Jenny's intelligence and would-be sophistication. Jenny listens to Juliette Greco's smoky chansons, gratuitously spouts French, quotes the French existentialist, and dreams of Paris -- anything to escape this dull country (which has not begun to swing yet, since its only 1961). She's not so good at Latin, but at her girl's school her literature teacher Miss Stubbs (Olivia Williams) reciates her and wants passionately for her to go to "read English" at Oxford, a phrase the film explains so insistently you'd think academic British were a completely foreign language too.

What's a bit hard to believe in this otherwise routine tale, based on a memoir by writer Lynn Barber and turned into an easy-to digest screenplay by Nick Hornby, is the way Jenny's parents go along with the idea of Did, this mysterious and oily older man, taking their college-prep daughter off to fancy watering places unchaperoned; he tells a string of lies to soften them up, some of them unbelievably crude, like his remark when first introduced to Jenny's mom, "You didn't tell me you had a sister." This compliance is justified by the fact that for her mother Marjorie (Cara Seymour) and timid but bumptuous dad Jack (Alfred Molina), marriage to a man with money, which Did evidently has, wherever it comes from, is as good as going to university, maybe better. In any case, Jenny doesn't keep any of what's going on a secret; in fact she boasts of it to her classmates, and the teachers know too. The only sign that all morals hen't been relaxed yet is the headmistress (a wasted Emma Thompson), who sees Jenny as disqualifying herself for Oxford, the school, or respectable life.

Carey Mulligan blooms before our eyes in this movie, and its worth watching for that. There's a squirmy pleasure in observing her scenes with Peter Sarsgaard, and Did is a good role for him. This is a character who is always acting so if Sarsgaard never seems natural that well fits the part. The whole trouble with 'An Education' is that everybody gets off too easy. Did, whose declared Jewishness almost seems like evil type-casting, is a thoroughly despicable person when we really get to know him: how come he just gets to slither away? Jenny never suffers any lasting ill effects of her misbehior even though everybody knows about it. Conflicting morals in early Sixties England are never a hardship for her or well dramatized in Hornby's simplistic plot. She's never confused, and it all turns out just fine. Good for her, but it lees one with a queasy feeling not only because of the reptilian behior of the boyfriend but because consequences are simply ignored, unlike in the much more hardscrabble film about a young girl's virginity actually made in 1961, Tony Richardson's fine 'A Taste of Honey' (written by Shelagh Delaney). How can Jenny be a e, if she has no real challenges to face? This doesn't feel like 1961 London, after all. It's just another modern take on a sassy young woman's premature liberation.