英文影评开头万能句_影评英文开头怎么写

1.请问怎么样写英语**影评？就是影评的格式。

2.阿甘正传 的影评。英文100词左右

3.初二英语影评的标题是什么

4.请各位英语高手用英文帮我写四篇**影评

5.三篇用英文写的英语**影评（主要内容、角色、演员的介绍，对它的评价）初一水平100左右 不要太长 有中文

《成长教育》

The young Carey Mulligan is sprightly and charming and does look a bit like Audrey Hepburn in this period drama about a bright, pretty 16-year-old suburban London schoolgirl who with a show of reserve gives in to the seduction, cultural and ual, of Did Goldman (Peter Sarsgaard), a thirty-something man of dubious intent and questionable livelihood. He's a smiling gangster, really, though the storytelling shows some skill in revealing the ugliness only in little gradual bits until bam! Comes the big shocker. Not that, by then, it's much of a surprise.

Did rescues Jenny (Ms. Mulligan) and her cello from a hey downpour -- already his sleek purple Bristol car is a strong hint of his sule mixture of poshness and sleaze -- and before she can say "I'm a virgin" he's taking her to classical concerts, auctions of Burne-Jones paintings, and jazz clubs with free-flowing champagne. With them are Did's cohort and "business partner" Danny (Dominic Cooper) and Danny's dumb blonde girlfriend Fanny (Rosamund Pike). Danny's sleeker and more handsome than Did and where he lives is packed with handsome artworks. We don't see where Did lives, and when we do, we find out why.

Helen, who's never read a book, let alone Camus, exists to set off Jenny's intelligence and would-be sophistication. Jenny listens to Juliette Greco's smoky chansons, gratuitously spouts French, quotes the French existentialist, and dreams of Paris -- anything to escape this dull country (which has not begun to swing yet, since its only 1961). She's not so good at Latin, but at her girl's school her literature teacher Miss Stubbs (Olivia Williams) reciates her and wants passionately for her to go to "read English" at Oxford, a phrase the film explains so insistently you'd think academic British were a completely foreign language too.

What's a bit hard to believe in this otherwise routine tale, based on a memoir by writer Lynn Barber and turned into an easy-to digest screenplay by Nick Hornby, is the way Jenny's parents go along with the idea of Did, this mysterious and oily older man, taking their college-prep daughter off to fancy watering places unchaperoned; he tells a string of lies to soften them up, some of them unbelievably crude, like his remark when first introduced to Jenny's mom, "You didn't tell me you had a sister." This compliance is justified by the fact that for her mother Marjorie (Cara Seymour) and timid but bumptuous dad Jack (Alfred Molina), marriage to a man with money, which Did evidently has, wherever it comes from, is as good as going to university, maybe better. In any case, Jenny doesn't keep any of what's going on a secret; in fact she boasts of it to her classmates, and the teachers know too. The only sign that all morals hen't been relaxed yet is the headmistress (a wasted Emma Thompson), who sees Jenny as disqualifying herself for Oxford, the school, or respectable life.

Carey Mulligan blooms before our eyes in this movie, and its worth watching for that. There's a squirmy pleasure in observing her scenes with Peter Sarsgaard, and Did is a good role for him. This is a character who is always acting so if Sarsgaard never seems natural that well fits the part. The whole trouble with 'An Education' is that everybody gets off too easy. Did, whose declared Jewishness almost seems like evil type-casting, is a thoroughly despicable person when we really get to know him: how come he just gets to slither away? Jenny never suffers any lasting ill effects of her misbehior even though everybody knows about it. Conflicting morals in early Sixties England are never a hardship for her or well dramatized in Hornby's simplistic plot. She's never confused, and it all turns out just fine. Good for her, but it lees one with a queasy feeling not only because of the reptilian behior of the boyfriend but because consequences are simply ignored, unlike in the much more hardscrabble film about a young girl's virginity actually made in 1961, Tony Richardson's fine 'A Taste of Honey' (written by Shelagh Delaney). How can Jenny be a e, if she has no real challenges to face? This doesn't feel like 1961 London, after all. It's just another modern take on a sassy young woman's premature liberation.

请问怎么样写英语**影评？就是影评的格式。

蓝精灵

One day , I went to the cinema with my best friend to saw the movie 'The Smurfs'.

I love 'The Smurfs' because of its special set and sound effects.The Smurfs are lovely and the songs are nice and very popular.

There was a twist in the plot,too.And we were all on the edge of our seat.Gargamel was catching the smurfs,it scared us out of our wits.But when the smurfs overcome Gargamel, the audience was very hy and so they landed.

I think this movie will be successful and acclained by the critics unanimous.A must-see comedy including friend,family and fantasty!You won't regret seeing it!

阿甘正传 的影评。英文100词左右

个人意见哦！**名称，主角及扮演者，故事梗概，获得奖项（可略），自己心得、蕴含哲理~本人觉得就是这样啦~~希望能帮到你！

例如：《刺杀》(Valkyrie：历史) 2009 (115 min) 英文影评：

What becomes of a movie star when the career hits a hiccup and the lustre starts to fade? If the movie star is smart, they go back to basics, reconnecting with the fire of their formative years. What drove them back then? What first made them strive for greatness? "When I was a kid I always wanted to kill Hitler," Tom Cruise revealed recently. "I hated that guy and all he stood for."

Valkyrie, then, is not just the latest Tom Cruise action thriller. It is the fruition of a dream; a boyhood fantasy writ large; a Hollywood blockbuster that provides an opportunity that was denied him in life. Inevitably he bungles it.

Bryan Singer's picture casts Cruise as Claus von Stauffenberg, the Wehrmacht colonel who spearheaded the 20 July 1944 plot to se the fatherland. Wounded in battle and sporting a natty eye-patch, von Stauffenberg has grown sick of war. He wants to "show the world that not all Germans are like Hitler". He hates that guy and all he stands for.

The obvious sticking point here is that (spoiler!) von Stauffenberg did not actually kill Hitler. The plot failed and the conspirators were executed. Played as a tragedy, or a stark study of failed ambitions, this might not he been a problem. Except that Singer opts to frame Valkyrie as a high-concept wartime suspense thriller, inviting us to suspend our disbelief and go along for the ride.

The 1944 plot was at least fiendishly planned and generally well executed. Singer's, by contrast, seems flawed and foolhardy from the start.

But what of Singer's co-conspirator? Valkyrie paints von Stauffenberg as the archetypal "good German", a model of elegant disenchantment. And yet Cruise, for all his skills as a performer, does not do disenchantment. For all the anguished moments of dou, the constant stares into the mirror, his von Stauffenberg is essentially Top Gun with an eye-patch.

The film's curious melange of dialects only underscores this quality. Von Stauffenberg's cohorts are played by British actors (Bill Nighy, Terence Stamp, Kenneth Branagh) who deliver their lines in English accents. The villainous Nazi is portrayed by German actor Thomas Kretschmann who speaks English in a German accent. And then - standing separate and apart - is Cruise himself, intoning his lines in pureblood American. He might as well he been dropped in from an Allied plane; a gung-ho Hollywood hero sent in to clean up a very European mess. He couldn't manage it as a kid, and he can't quite do it now. Hitler one; Tom Cruise nil.

对应中文翻译：

什么成为一个**明星，当职业生涯击呃逆和光泽开始褪色？如果是聪明的**明星，他们回归本源，重新与消防的形成时期。是什么驱使他们回呢？第一次是什么使他们争取的伟大？ “当我还是孩子的我一直想杀死， ”汤姆克鲁斯近日透露。 “我讨厌那个家伙和他主张。 ”

北欧女神，那么，不仅是汤姆克鲁斯的最新动作片。这是取得成果的一个梦，一个儿时的梦想令状大;好莱坞大片，提供一个机会，这是剥夺他的生命。不可避免地，他bungles它。

布莱恩辛格的蒙上克鲁斯的克劳斯冯施陶芬贝格，在国防军上校谁带头1944年7月20号阴谋拯救祖国。在战斗中受伤，并身穿整洁眼补丁，冯施陶芬贝格增加患病的战争。他希望“向世界表明，并不是所有的德国人喜欢” 。他讨厌那个家伙和他主张。

最明显的症结是， （扰流板！ ）冯施陶芬贝格实际上没有杀死。阴谋失败，阴谋被处决。打一场悲剧，或形成了鲜明的研究没有野心，这可能不是一个问题。但辛格选择框女神作为高概念战时悬疑惊悚片，邀请我们停止我们的怀疑和凑凑热闹。

1944年阴谋至少极为普遍得到很好的规划和执行。歌手的，相比之下，似乎有缺陷的和愚蠢的开始。

但是歌手的同谋？女神油漆冯施陶芬贝格作为典型的“德国好人” ，一个优雅的模型觉醒。但克鲁斯，他的所有技能，作为一个演员，不会觉醒。所有的痛苦的时刻，毫无疑问，不断地凝视到镜子，他的冯施陶芬贝格基本上是壮志凌云的眼睛修补程序。

影片的好奇混杂的方言不仅强调了这一点质量。冯施陶芬贝格的同伙正在发挥英国演员（比尔奈伊，特伦邮票，肯尼斯布莱纳）谁提供的线在英语口音。纳粹的罪恶所描绘的是德国演员托马斯克莱彻曼谁讲英语的德国口音。然后-除了常设单独-是克鲁斯本人，他的线intoning美国在pureblood 。他可能也已下降盟军飞机从一个长庚浩好莱坞英雄发出清理非常欧洲一团糟。他无法管理它作为一个孩子，他不能做到现在。之一;汤姆克鲁斯为零。

初二英语影评的标题是什么

The film shows kindness, warmth, touched the best things in the hearts of the audience.

The show is honest, trustworthy, serious, bre, hey feelings and other beautiful emotions.

Forrest Gump in the film is molded into the incarnation of virtue, honest, trustworthy, serious, bre and pay attention to feelings.

He only knows how to pay people without asking for return, and never mind others' rejection. He is just open-minded and magnanimous in facing life.

He concentrated what little wisdom, faith, and courage he had, and he ran along the road with no regard for anything but instinct.

译文：该片表现出的善良、温情，触动了观众心中最美好的东西。

展现了诚实、守信、认真、勇敢、重情等美好情感。

阿甘在影片中被塑造成了美德的化身，诚实、守信、认真、勇敢而重视感情。

对人只懂付出不求回报，也从不介意别人拒绝，他只是豁达、坦荡地面对生活。

他把自己仅有的智慧、信念、勇气集中在一点，他什么都不顾，只知道凭着直觉在路上不停地跑。

穿帮镜头

1、当镜头距阿甘10英尺远时，在阿甘脚上和天空中能同时看到那片羽毛。

2、珍妮是1982年3月去世的，接下来的镜头中阿甘却出现在一张1982年9月15日的《今日美国》剪报上。根据墓碑上的日期珍妮去世那天是星期一，而不是阿甘说的周六。

3、阿甘第一次上校车的时候与女司机的对话过程中，面对镜头和背对镜头时女司机的手所放的位置不同。

请各位英语高手用英文帮我写四篇**影评

初二英语影评的标题是My forite movie is……，或者the impression of after-reading? +书名。

英语影评的标题写法

1、首先需要知道影评的英文翻译，读后感的英文翻译为the impression of after-reading? +书名。

2、其次，需要知道常见著作的英文翻译，比如红楼梦：Dream of Red Mansions；三国演义：Romance of the Three Kingdoms；水浒传：outlaws of the mars。

简介

**评论的内容是多样的。有着重评论影片的题材、主题、人物或它的社会意义，也有专门论述不同片种、样式或影片的艺术风格、造型表现手段和**语言的运用的；有对某一时期、某一流派的**创作进行专题评论的，也有为著名的**导演、演员等**艺术家撰写评论的。

既有在报刊上对当时上映的影片或某种创作问题写专栏评论的，也有对一定时期和范围内的影片进行评论的。由于读者和观众的欣赏境界或文化背景不同，所以既需要供**专业工作者研究用的专题论文，也需要有提高一般观众欣赏水平的影评文章。

三篇用英文写的英语**影评（主要内容、角色、演员的介绍，对它的评价）初一水平100左右 不要太长 有中文

1. 虎胆龙威（DIE HARD)：

What makes Die Hard the all-time classic it has rightfully become was the lack of extragance and fantasy: there were no decades-old war grudges, no jungle action, no superhuman powers and only the occasional physics-defying stunts we are usually overloaded with. The characters in this film were regular people, with regular jobs and regular attitudes, confronted with an extraordinary situation, responding as most regular people would, by doing things which go beyond what they would "regularly" consider. Each character's backstory is one that could easily be ours if we were born in their shoes, and we all know at least one or two people like someone from the film. These are the people we live with, work with, and interact with, and the film captured them perfectly. This realism makes it very easy for the audience to believe that it too could he been caught at that party and had to face the situation.

Die Hard took the action genre in a new direction, adding a human touch and bit of reluctance to their invulnerability, while also showing them (as Spider Man would do so as well later on) as people who are much better at making others' personal lives work out than they are with their own.

Even if you hen't seen Die Hard, you've seen its legacy in many other films since. The formula was a brilliant one, and this was its birth.

2. 铁血战士（PREDATOR)：

Huge guns, Huge tough guys, macho dialogue, funny banter, One liners and an Alien. John McTiernan's 1987 classic 'Predator' is a action fans dream and a true guys film. What's not to like? Quick setup. Dutch (Arnold Schwarzenegger) and his team of bad-asses are sent to the South American jungles to rescue a group of POW's from an enemy hideout. Simple enough, but that's before they start getting picked off by a hunter from another planet. The rest of the movie relies on suspense, an over the top macho atmosphere and a entertaining team.

John McTiernan's style of creating a believable atmosphere shines out through the characters and dialogue. Every member of the rescue team is memorable and likable due to their humorous dialogue and over the top macho-ism. Dutch chomping on cigars, Blain wielding a mini gun, Mac shing with his own sweat and Billy's huge knife are all examples of the manliness portrayed in the film.

The Predator is great in its first portrayal, brought to life thanks to Stan Winston's incredibly lifelike effect. His gadgets and weaponry stay cool and interesting right until the end. One of the things that make the film interesting is watching the team come up with new ways to kill this creature that's picking them off like flies.

The film is filled with memorable quotes and scenes that will linger in your mind any time you think of masculinity. Any fan of action or Schwarzenegger will know this is a must see and one of the quintessential 80's flicks.

3. 青春年少（RUSHMORE）：

Rushmore is an extremely well written movie about obsessive love.

The acting is a quality of Rushmore that contributes greatly to its eal. I've seen a lot of Bill Murray movies, an I've always had a high opinion of him. Saying that Bill Murray is good in a movie usually means that he was really funny (which, with a few exceptions, goes without saying). In this film, though, there is something more to his performance. With his facial expressions alone capturing the tortured soul of Mr. Blume accompanied by his impeccable comic timing, Murray is plainly terrific. Jason Schwartzman is also outstanding as Max, although his earance shows more years than the mere 15 he is supposed to be. Olivia Williams is sule and extremely effective as the British object of affection. Finally, in a key role as Max's chapel partner, Dirk Calloway, Mason Gamble (from Dennis the Menace), convey's his bitterness and anger with such acuity and humor that one can't imagine that there he is actually acting in front of a camera.

The humor of Rushmore is so delightfully offbeat, hilarity sometimes being found in such places as silent pauses with the camera directed right at the actor's face, that it might not be for every taste (but be sure to give it a try first). In fact, everything about this movie is different. I've seen this film twice and from the surreal use of really vivid colors to the quick-paced direction by the obviously very talented Wes Anderson, it seems destined to he cult status in the future. Finally, I would like to mention the soundtrack, a compilation of primarily British "invasion" rock (along with a brilliant original score), for it almost perfectly captures the spirit and life of this amazing achievement.

4. 死亡证据（DEATH PROOF)：

Like classic directors invented the western imagery, Tarantino recreates a world of vinyl jukebox, groovy cars and adventurer-girls that only exists as an illusion. The girls, low-middle class , behes with an independence that many housewives would envy and they are clearly inspired in the Russ Meyer pictures. But they are real, even one of the girls is credited as 'herself'.

The famous Tarantino's dialogs are a hit-and miss in this one. Sometimes they seem forced, others they flow naturally, the sheer pleasure of conversation, and they help to make the movie a lightweight experience, that could keep on running. I said that the world exists only as an illusion, but that doesn't ly to the objects (the cars, the jukebox). Tarantino is like an antiquarian that doesn't want to see his beloved treasures getting dust.

Did I mention the virtuosity? The cinematography is ostentatious and generous, showing colorful scenarios. They don't try to be pervasive, on the contrary it is a "Hey, look what I'm doing" way all the time, and it works.

My only complaint is that I'm sure I'm gonna see a few semi-obscure movies from the 70s and think: "I've seen this before somewhere..." It is time for QT to do something that could be described as 'original'. Only Pulp Fiction fits in that category.

hello,everyone. （大家好）

. very glad to be here.（非常高兴能来到这里给大家发言）

my name is ###, and i am ** years old.（我的名字是＃＃＃，今年××岁了）

now i am a ___school student.（我现在是一名……学生）

my fourite subject is English . and i like sports very much . （我最喜欢的科目是英语，而且我很喜欢运动）

English brings lots of fun . and sports makse me hy .（英语带给我很多乐趣，而且运动使我快乐）

i like this sentence:“ nothing is impossible。”（我最喜欢的一句话就是：一切皆有可能。）

so i always try my best to do everything well,and never give up easily.(所以我每一次总是尽力做好每一件事情，从来都不轻易说放弃）

so this is me ,i hope to make friends with you all.（这就是我，我希望和大家都能成为朋友。）

thank you for listening!（谢谢大家的聆听！）